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				<title>Our Tumblr Blog</title>
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				<pubDate>Thu, 26 Jan 2012 10:07:17 GMT</pubDate>
			
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					<title>The Keys Hit The Highway</title>
					<link>http://randommanor.com/blog.cfm?feature=2364373&amp;postid=1742498</link>
					<description>
Mark Belaire, our &amp;#8220;Keeper Of The Keys&amp;#8221; for the past three years, is packing up and heading south. Opportunity (and a lot of hard work) will lead him and his family to sunny California. We wish Mark all the best in his new endeavours, and thank him profoundly for his beautiful, soulful, ass-kicking music. We also thank him for: his love and friendship through good times and hard times, his &amp;#8220;Do It Till It&amp;#8217;s Right&amp;#8221; work ethic, his &amp;#8220;Smile In The Face Of Adversity&amp;#8221; positive attitude, his exuberance for life, his beautiful family, his brother and sonic partner, for bringing Papa Belaire to The Tank, for driving from The Triple Door to Issaquah and back during rush hour to get some gear that was left behind, for his piano, organ, harmonica, strings and voice, all of which made Random Manor a better band, playing better music. We have been lucky to have Mark aboard.
So long, Brother, but not goodbye. It has truly been an awesome ride!
Love and praises,
Don, Rick, Mark &amp;amp; Ronnie</description>
					<content:encoded><![CDATA[<p><img src="http://media.tumblr.com/tumblr_lye0ppq6ix1qh3u5i.jpg"/></p>
<p>Mark Belaire, our &#8220;Keeper Of The Keys&#8221; for the past three years, is packing up and heading south. Opportunity (and a lot of hard work) will lead him and his family to sunny California. We wish Mark all the best in his new endeavours, and thank him profoundly for his beautiful, soulful, ass-kicking music. We also thank him for: his love and friendship through good times and hard times, his &#8220;Do It Till It&#8217;s Right&#8221; work ethic, his &#8220;Smile In The Face Of Adversity&#8221; positive attitude, his exuberance for life, his beautiful family, his brother and sonic partner, for bringing Papa Belaire to The Tank, for driving from The Triple Door to Issaquah and back during rush hour to get some gear that was left behind, for his piano, organ, harmonica, strings and voice, all of which made Random Manor a better band, playing better music. We have been lucky to have Mark aboard.</p>
<p>So long, Brother, but not goodbye. It has truly been an awesome ride!</p>
<p>Love and praises,</p>
<p>Don, Rick, Mark &amp; Ronnie</p>]]></content:encoded>
					<pubDate>Thu, 26 Jan 2012 10:07:17 GMT</pubDate>
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					<title>Favorite Year</title>
					<link>http://randommanor.com/blog.cfm?feature=2364373&amp;postid=1637136</link>
					<description>
Our stockings are hung by the chimney with care&amp;#8230;
2011 was, like Frank said, &amp;#8220;a very good year&amp;#8221;. The completion of our LP, &amp;#8220;Big Dog Run&amp;#8221;, with the release show at The Triple Door, was truly special. We thought it only fitting to bring forth some holiday cheer with a musical offering. With I at my pen and Rick at the dials (and orchestra!), we present &amp;#8220;Favorite Year&amp;#8221;. Mixed and mastered by Tom Hall. We wish you all the best this holiday season and look forward to the New Year!
Download and enjoy,
Don, Rick, Mark M., Ronnie &amp;amp; Mark B.</description>
					<content:encoded><![CDATA[<p><img src="http://media.tumblr.com/tumblr_lwfdo0EWrK1qh3u5i.jpg"/></p>
<p>Our stockings are hung by the chimney with care&#8230;</p>
<p>2011 was, like Frank said, &#8220;a very good year&#8221;. The completion of our LP, &#8220;Big Dog Run&#8221;, with the release show at The Triple Door, was truly special. We thought it only fitting to bring forth some holiday cheer with a musical offering. With I at my pen and Rick at the dials (and orchestra!), we present &#8220;Favorite Year&#8221;. Mixed and mastered by Tom Hall. We wish you all the best this holiday season and look forward to the New Year!</p>
<p>Download and enjoy,</p>
<p>Don, Rick, Mark M., Ronnie &amp; Mark B.</p>]]></content:encoded>
					<pubDate>Mon, 19 Dec 2011 06:37:44 GMT</pubDate>
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					<title>Along For The Ride</title>
					<link>http://randommanor.com/blog.cfm?feature=2364373&amp;postid=1470944</link>
					<description> This song is another one from the &amp;#8220;Personal Files&amp;#8221;. When I got back into songwriting, I made myself a promise: I was going to go where the songs took me&amp;#8230;no matter what. This required commitment and faith in the process. I remember having a little apprehension about the idea of exposing oneself in song. When I presented Long Way Back (off the first record) to Rick and Mark, I was more than a bit nervous. It was such a reflection of my own &amp;#8220;stuff&amp;#8221;. I think my knees were knocking&amp;#8230;but I remember glancing at Rick while playing and he was looking at me&amp;#8230;smiling. Chris Martin from Coldplay said he&amp;#8217;s terrified when introducing a new song to the band&amp;#8230;it&amp;#8217;s good to be among friends!
Along For The Ride is like a big smile to me and some lines of the lyric are like photographs of my life&amp;#8230;a story of love found when love was not sought. I hope some of you can relate.
We&amp;#8217;ve been playing this song for a long time. It was our closer at Ste. Michelle in &amp;#8216;07 (2nd gig!). It was supposed to be on the first record but we were only doing 6 songs and it took a back seat. It&amp;#8217;s a favorite on this one, however (Rick has the opening riff for his ringtone!) and was a blast to record.
We had some fun at The Shack tracking&amp;#8230;the effect we used on the verse before the last chorus was a nod to Richard Dodd and Boz Scaggs. The vocal track was played through headphones that were mounted on a vocal mic and recorded to get that &amp;#8220;far away&amp;#8221; sound that fit so well with the track. I also put in a little guitar homage to Johnny Rivers (&amp;#8220;The Poor Side Of Town&amp;#8221;&amp;#8230;great song!). Rick&amp;#8217;s drums really lift the song up and Mark M&amp;#8217;s bass has such a great feel&amp;#8230;including a &amp;#8220;Down Under&amp;#8221; riff&amp;#8230;care to guess?  As always, Ronnie brings his sweet slide guitar and brother Mark B. delivers a truckload of soul on the organ. All tracks, save drums, recorded at The Shack.
Turn it up and get happy!
Next&amp;#8230;Elizabeth and I do the math&amp;#8230;
Till then,
Don</description>
					<content:encoded><![CDATA[<p> This song is another one from the &#8220;Personal Files&#8221;. When I got back into songwriting, I made myself a promise: I was going to go where the songs took me&#8230;no matter what. This required commitment and faith in the process. I remember having a little apprehension about the idea of exposing oneself in song. When I presented Long Way Back (off the first record) to Rick and Mark, I was more than a bit nervous. It was such a reflection of my own &#8220;stuff&#8221;. I think my knees were knocking&#8230;but I remember glancing at Rick while playing and he was looking at me&#8230;smiling. Chris Martin from Coldplay said he&#8217;s terrified when introducing a new song to the band&#8230;it&#8217;s good to be among friends!</p>
<p>Along For The Ride is like a big smile to me and some lines of the lyric are like photographs of my life&#8230;a story of love found when love was not sought. I hope some of you can relate.</p>
<p>We&#8217;ve been playing this song for a long time. It was our closer at Ste. Michelle in &#8216;07 (2nd gig!). It was supposed to be on the first record but we were only doing 6 songs and it took a back seat. It&#8217;s a favorite on this one, however (Rick has the opening riff for his ringtone!) and was a blast to record.</p>
<p>We had some fun at The Shack tracking&#8230;the effect we used on the verse before the last chorus was a nod to Richard Dodd and Boz Scaggs. The vocal track was played through headphones that were mounted on a vocal mic and recorded to get that &#8220;far away&#8221; sound that fit so well with the track. I also put in a little guitar homage to Johnny Rivers (&#8220;The Poor Side Of Town&#8221;&#8230;great song!). Rick&#8217;s drums really lift the song up and Mark M&#8217;s bass has such a great feel&#8230;including a &#8220;Down Under&#8221; riff&#8230;care to guess?  As always, Ronnie brings his sweet slide guitar and brother Mark B. delivers a truckload of soul on the organ. All tracks, save drums, recorded at The Shack.</p>
<p>Turn it up and get happy!</p>
<p>Next&#8230;Elizabeth and I do the math&#8230;</p>
<p>Till then,</p>
<p>Don</p>]]></content:encoded>
					<pubDate>Sun, 06 Nov 2011 07:28:00 GMT</pubDate>
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					<title>Big Dog Run</title>
					<link>http://randommanor.com/blog.cfm?feature=2364373&amp;postid=1251390</link>
					<description>Friday, July 10th, 2009. We recorded this song a number of times that night at The Tank. Live. The best take is what you hear on the record. The mood was loose&amp;#8230;swampy and lubricated&amp;#8230;cheap cactus juice courtesy of Tom P. Papa Belaire was there (rest his soul), just hanging out in the control room. I asked him if he wanted to sing, but he politely declined&amp;#8230;he seemed genuinely happy to be there.
When we all gathered around for the background vocals, we were running late. Tom offered &amp;#8220;you guys should just stay here tonight&amp;#8221;. T.P. was into it, playing &amp;#8220;air guitar&amp;#8221; and lending his trademark vocal.
The next day we were done. The last band to record at The Tank with Tom. Ever.
Mark Belaire&amp;#8217;s harp brings the feel up front and Ronnie&amp;#8217;s slide lays down the Delta vibe. Rick and Mark M. give a rhythm section from somewhere down the river. The background vocal choir is nothin&amp;#8217; but love. I could listen to this song a thousand times and want a thousand more.
At the time I wrote this song, I wasn&amp;#8217;t exactly sure what it was about. It came very quickly, and when that happens, I don&amp;#8217;t ask a lot of questions&amp;#8230;the road goes where it goes. At the end of the day, as they say, I came to realize the gift of this song and its true meaning.
Next up&amp;#8230;&amp;#8221;side two&amp;#8221;&amp;#8230;
Till then,
Don</description>
					<content:encoded><![CDATA[<p>Friday, July 10th, 2009. We recorded this song a number of times that night at The Tank. Live. The best take is what you hear on the record. The mood was loose&#8230;swampy and lubricated&#8230;cheap cactus juice courtesy of Tom P. Papa Belaire was there (rest his soul), just hanging out in the control room. I asked him if he wanted to sing, but he politely declined&#8230;he seemed genuinely happy to be there.</p>
<p>When we all gathered around for the background vocals, we were running late. Tom offered &#8220;you guys should just stay here tonight&#8221;. T.P. was into it, playing &#8220;air guitar&#8221; and lending his trademark vocal.</p>
<p>The next day we were done. The last band to record at The Tank with Tom. Ever.</p>
<p>Mark Belaire&#8217;s harp brings the feel up front and Ronnie&#8217;s slide lays down the Delta vibe. Rick and Mark M. give a rhythm section from somewhere down the river. The background vocal choir is nothin&#8217; but love. I could listen to this song a thousand times and want a thousand more.</p>
<p>At the time I wrote this song, I wasn&#8217;t exactly sure what it was about. It came very quickly, and when that happens, I don&#8217;t ask a lot of questions&#8230;the road goes where it goes. At the end of the day, as they say, I came to realize the gift of this song and its true meaning.</p>
<p>Next up&#8230;&#8221;side two&#8221;&#8230;</p>
<p>Till then,</p>
<p>Don</p>]]></content:encoded>
					<pubDate>Thu, 01 Sep 2011 08:42:00 GMT</pubDate>
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					<title>Dog Will Run</title>
					<link>http://randommanor.com/blog.cfm?feature=2364373&amp;postid=1236087</link>
					<description>
Thanks to all for a truly wonderful night at The Triple Door for our long awaited CD release party. With a big full moon above the clouds and big vibe in the room, it was a time I did not want to end. The culmination of two years work&amp;#8230;and more fun than I&amp;#8217;ve ever had on stage. A band of brothers in the moment.  
Thanks to the T-Door staff for all their help and we look forward to the next time.
See you all down the road,
Don</description>
					<content:encoded><![CDATA[<p><img src="http://media.tumblr.com/tumblr_lqkjsofFDe1qh3u5i.jpg"/></p>
<p>Thanks to all for a truly wonderful night at The Triple Door for our long awaited CD release party. With a big full moon above the clouds and big vibe in the room, it was a time I did not want to end. The culmination of two years work&#8230;and more fun than I&#8217;ve ever had on stage. A band of brothers in the moment.  </p>
<p>Thanks to the T-Door staff for all their help and we look forward to the next time.</p>
<p>See you all down the road,</p>
<p>Don</p>]]></content:encoded>
					<pubDate>Sat, 27 Aug 2011 09:21:18 GMT</pubDate>
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					<title>Big Dog Loose On Union Street</title>
					<link>http://randommanor.com/blog.cfm?feature=2364373&amp;postid=1235932</link>
					<description></description>
					<content:encoded><![CDATA[<p><img src="http://media.tumblr.com/tumblr_lqkimnT5lt1qh3u5i.jpg"/></p>]]></content:encoded>
					<pubDate>Sat, 27 Aug 2011 08:50:50 GMT</pubDate>
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					<title>Say When</title>
					<link>http://randommanor.com/blog.cfm?feature=2364373&amp;postid=1143172</link>
					<description>A good song stands the test of time. I wrote this song 23 years ago. I was playing in a band with Rick and Mark called Living Out Loud. Sometimes we performed under other names and sometimes no name, but LOL was the moniker when we first recorded Say When. The lyric was relevant yesterday and rings true today. The crime report is front and center, happening all the time. This is as close as I get to a social comment. Sinkin&amp;#8217; Into Stone is the bookend.
The drums were recorded at The Tank and all else at Random Manor Studios (aka: The Shack). I remember things getting a little LOUD during my guitar solo takes. Love the wah. Great &amp;#8220;grind&amp;#8221; on Mark B&amp;#8217;s organ and a very cool fretless bass on the breakdown from Mark M. And, as always, a stellar mix from Tom Hall.
Since I wrote this song, there&amp;#8217;s been a lot of water under the bridge, and a lot of other stuff, too (as Dylan said). Things change. Things stay the same. The world and its ways are a daily reminder that fair isn&amp;#8217;t always fair. And the clock on the wall does not stop. A colleague of Tom Pfaeffle&amp;#8217;s, speaking at his memorial, offered: We can do better. Tick tock, people.
Love and happiness,
Don</description>
					<content:encoded><![CDATA[<p>A good song stands the test of time. I wrote this song 23 years ago. I was playing in a band with Rick and Mark called Living Out Loud. Sometimes we performed under other names and sometimes no name, but LOL was the moniker when we first recorded Say When. The lyric was relevant yesterday and rings true today. The crime report is front and center, happening all the time. This is as close as I get to a social comment. Sinkin&#8217; Into Stone is the bookend.</p>
<p>The drums were recorded at The Tank and all else at Random Manor Studios (aka: The Shack). I remember things getting a little LOUD during my guitar solo takes. Love the wah. Great &#8220;grind&#8221; on Mark B&#8217;s organ and a very cool fretless bass on the breakdown from Mark M. And, as always, a stellar mix from Tom Hall.</p>
<p>Since I wrote this song, there&#8217;s been a lot of water under the bridge, and a lot of other stuff, too (as Dylan said). Things change. Things stay the same. The world and its ways are a daily reminder that fair isn&#8217;t always fair. And the clock on the wall does not stop. A colleague of Tom Pfaeffle&#8217;s, speaking at his memorial, offered: We can do better. Tick tock, people.</p>
<p>Love and happiness,</p>
<p>Don</p>]]></content:encoded>
					<pubDate>Sat, 30 Jul 2011 06:54:17 GMT</pubDate>
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					<title>All The Way To Love</title>
					<link>http://randommanor.com/blog.cfm?feature=2364373&amp;postid=1116628</link>
					<description>There&amp;#8217;s a songwriters&amp;#8217; &amp;#8221;code&amp;#8221; that says, simply, &amp;#8220;Write what you know&amp;#8221;. When I started writing songs again, I wanted this mantra to be mine. Life is short, so run what you brung. This song was one of my first attempts at telling &amp;#8220;The Story Of&amp;#8221;. Like they say in those movie trailers&amp;#8230;&amp;#8221;This time&amp;#8230;it&amp;#8217;s personal&amp;#8221;. I wanted to bring the power of the music in a simple way to support the relentless imagery of the lyric. I remember presenting a rough demo for Rick and Mark M. back in &amp;#8216;06&amp;#8230;just me and an acoustic guitar. We&amp;#8217;ve been playing this song ever since and it&amp;#8217;s become a set favorite.
Rick and I actually recorded the basic for All The Way To Love at The Tank by ourselves, with Tom P. at the helm. We did this on a few songs&amp;#8230;just Rick going for a drum take with me on guitar and a scratch vocal. The rest of the band tracks came later. We paired it down a bit from the extended live versions with a great mix by Tom Hall. While going through The Tank guitar takes, we found my solo, which I had done at the board with Tom P., as well as a bit TP had kept of me in between takes. These were blended in the final mix with a nice edit by RB. The drums really shine, as do Mark B&amp;#8217;s keys/string parts&amp;#8230;Ronnie&amp;#8217;s soul-slide&amp;#8230;Mark M&amp;#8217;s brilliant bass&amp;#8230;GREAT band track!
So, let the story be told. The boy who meets the girl who meets the boy&amp;#8230;hold hands&amp;#8230;and together, they wade in&amp;#8230;
Next up&amp;#8230;an old song gets a reprise.
Till then,
Don</description>
					<content:encoded><![CDATA[<p>There&#8217;s a songwriters&#8217; &#8221;code&#8221; that says, simply, &#8220;Write what you know&#8221;. When I started writing songs again, I wanted this mantra to be mine. Life is short, so run what you brung. This song was one of my first attempts at telling &#8220;The Story Of&#8221;. Like they say in those movie trailers&#8230;&#8221;This time&#8230;it&#8217;s personal&#8221;. I wanted to bring the power of the music in a simple way to support the relentless imagery of the lyric. I remember presenting a rough demo for Rick and Mark M. back in &#8216;06&#8230;just me and an acoustic guitar. We&#8217;ve been playing this song ever since and it&#8217;s become a set favorite.</p>
<p>Rick and I actually recorded the basic for All The Way To Love at The Tank by ourselves, with Tom P. at the helm. We did this on a few songs&#8230;just Rick going for a drum take with me on guitar and a scratch vocal. The rest of the band tracks came later. We paired it down a bit from the extended live versions with a great mix by Tom Hall. While going through The Tank guitar takes, we found my solo, which I had done at the board with Tom P., as well as a bit TP had kept of me in between takes. These were blended in the final mix with a nice edit by RB. The drums really shine, as do Mark B&#8217;s keys/string parts&#8230;Ronnie&#8217;s soul-slide&#8230;Mark M&#8217;s brilliant bass&#8230;GREAT band track!</p>
<p>So, let the story be told. The boy who meets the girl who meets the boy&#8230;hold hands&#8230;and together, they wade in&#8230;</p>
<p>Next up&#8230;an old song gets a reprise.</p>
<p>Till then,</p>
<p>Don</p>]]></content:encoded>
					<pubDate>Wed, 20 Jul 2011 09:34:00 GMT</pubDate>
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					<title>Our good friend (and designer of our first EP) Kurt...</title>
					<link>http://randommanor.com/blog.cfm?feature=2364373&amp;postid=1093299</link>
					<description>Our good friend (and designer of our first EP) Kurt Reifschneider, has once again hit it out of the park for us with this cover for Big Dog Run. Many dogs were interviewed for the cover shot, and the finals came down to two, but this hound won the spot with his focused enthusiasm and vintage look. A paw print and a few bags of marrow bones sealed the deal.
We&apos;ll be unveiling the hand-built package at our CD Release Party, Saturday August 13, 2011 at the Triple Door in Seattle. Tickets and info available from the Triple Door&apos;s website here:
&lt;a href=&quot;http://www.thetripledoor.net/Calendar/Events/August-2011/Random-Manor.aspx?date=2011-08-13&quot;&gt;&lt;a href=&quot;http://www.thetripledoor.net/Calendar/Events/August-2011/Random-Manor.aspx?date=2011-08-13&quot;&gt;http://www.thetripledoor.net/Calendar/Events/August-2011/Random-Manor.aspx?date=2011-08-13
Hope to see you there!
Rick</description>
					<content:encoded><![CDATA[<img src="http://24.media.tumblr.com/tumblr_lo2ooas8Qm1qi91cco1_500.jpg"/><br/><br/><p>Our good friend (and designer of our first EP) Kurt Reifschneider, has once again hit it out of the park for us with this cover for Big Dog Run. Many dogs were interviewed for the cover shot, and the finals came down to two, but this hound won the spot with his focused enthusiasm and vintage look. A paw print and a few bags of marrow bones sealed the deal.</p>
<p>We?ll be unveiling the hand-built package at our CD Release Party, Saturday August 13, 2011 at the Triple Door in Seattle. Tickets and info available from the Triple Door?s website here:</p>
<p><a href="http://www.thetripledoor.net/Calendar/Events/August-2011/Random-Manor.aspx?date=2011-08-13"><a href="http://www.thetripledoor.net/Calendar/Events/August-2011/Random-Manor.aspx?date=2011-08-13">http://www.thetripledoor.net/Calendar/Events/August-2011/Random-Manor.aspx?date=2011-08-13</a></a></p>
<p>Hope to see you there!</p>
<p>Rick</p>]]></content:encoded>
					<pubDate>Sat, 09 Jul 2011 20:36:00 GMT</pubDate>
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					<title>Big Man</title>
					<link>http://randommanor.com/blog.cfm?feature=2364373&amp;postid=1044047</link>
					<description>
We send our love to Clarence Clemons&amp;#8217; family and friends. His beautiful presence will be missed. Thanks, Big Man, for your powerful life.
RM</description>
					<content:encoded><![CDATA[<p><img src="http://media.tumblr.com/tumblr_ln0mfefy1S1qh3u5i.jpg"/></p>
<p>We send our love to Clarence Clemons&#8217; family and friends. His beautiful presence will be missed. Thanks, Big Man, for your powerful life.</p>
<p>RM</p>]]></content:encoded>
					<pubDate>Sun, 19 Jun 2011 07:18:00 GMT</pubDate>
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					<title>On A Dream Again</title>
					<link>http://randommanor.com/blog.cfm?feature=2364373&amp;postid=1042476</link>
					<description>I&amp;#8217;ve always liked 12 string guitars. They have such a rich, chimey sound that just feels good. I played a borrowed, older Rickenbacker 12 on &amp;#8220;Wild Golden Blue&amp;#8221;. A very cool guitar with a great sound&amp;#8230;but not user friendly and difficult to keep in tune. My old friend Mike Lull suggested I get a Fender and have him set it up with my favorite pickup configuration, which we did, and&amp;#8230;I finally had an electric 12! So, when this song came along, it was a natural for that new guitar. One of the first songs I learned to play on my old Harmony Stella was &amp;#8220;Ticket To Ride&amp;#8221;. You can hear that influence on this song, especially with Rick&amp;#8217;s drum beat. Benmont Tench would call that a &amp;#8220;lift&amp;#8221;. I&amp;#8217;d call it a &amp;#8220;nod&amp;#8221;. This whole record is full of them. Someone once asked Jeff Beck what his influences were and he said &amp;#8220;Rock records&amp;#8221;. Growing up in the 60&amp;#8217;s and hearing such great songs on the radio no doubt had a big impression on my playing and songwriting. I took my guitar to Mike Lull a while back for some fret work. He looked at the worn frets and said &amp;#8220;This is where you live on the fretboard. These are the chords we grew up on&amp;#8221;. I&amp;#8217;m happy every time I play this song. Every time.
And&amp;#8230;there&amp;#8217;s more than a couple &amp;#8220;nods&amp;#8221; on this one, both musically and lyrically&amp;#8230;anyone care to have a go at it?
Next up&amp;#8230;down to the river, again, for&amp;#8230;&amp;#8221;The Story Of&amp;#8221;&amp;#8230;
Till then,
Don</description>
					<content:encoded><![CDATA[<p>I&#8217;ve always liked 12 string guitars. They have such a rich, chimey sound that just feels good. I played a borrowed, older Rickenbacker 12 on &#8220;Wild Golden Blue&#8221;. A very cool guitar with a great sound&#8230;but not user friendly and difficult to keep in tune. My old friend Mike Lull suggested I get a Fender and have him set it up with my favorite pickup configuration, which we did, and&#8230;I finally had an electric 12! So, when this song came along, it was a natural for that new guitar. One of the first songs I learned to play on my old Harmony Stella was &#8220;Ticket To Ride&#8221;. You can hear that influence on this song, especially with Rick&#8217;s drum beat. Benmont Tench would call that a &#8220;lift&#8221;. I&#8217;d call it a &#8220;nod&#8221;. This whole record is full of them. Someone once asked Jeff Beck what his influences were and he said &#8220;Rock records&#8221;. Growing up in the 60&#8217;s and hearing such great songs on the radio no doubt had a big impression on my playing and songwriting. I took my guitar to Mike Lull a while back for some fret work. He looked at the worn frets and said &#8220;This is where you live on the fretboard. These are the chords we grew up on&#8221;. I&#8217;m happy every time I play this song. Every time.</p>
<p>And&#8230;there&#8217;s more than a couple &#8220;nods&#8221; on this one, both musically and lyrically&#8230;anyone care to have a go at it?</p>
<p>Next up&#8230;down to the river, again, for&#8230;&#8221;The Story Of&#8221;&#8230;</p>
<p>Till then,</p>
<p>Don</p>]]></content:encoded>
					<pubDate>Sat, 18 Jun 2011 09:37:00 GMT</pubDate>
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					<title>Saved</title>
					<link>http://randommanor.com/blog.cfm?feature=2364373&amp;postid=1008090</link>
					<description>Bob Dylan said &amp;#8220;You can carry a song around for a long time and then it just comes burstin&amp;#8217; out&amp;#8221;. I carried this one around for almost 20 years. I had a concept of &amp;#8220;Love Divine&amp;#8221;, or, more specifically, &amp;#8220;The Loved One Divine&amp;#8221;, but I just couldn&amp;#8217;t figure out how to get there in a four minute rock song. When I hung up the guitar a couple decades ago, I walked away from songwriting, too. A dozen or so years later, I was playing and writing with a much different attitude&amp;#8230;I was LETTING it happen&amp;#8230;and really enjoying it. Not thinking about the process too much. It was (and is) fun again.
And so, &amp;#8220;Saved&amp;#8221; was born&amp;#8230;again. We had been playing it for a while before the Tank sessions. The first time Tom Pfaeffle heard the song live was in a little club. He was mixing and it was the closing tune. Tom always liked things a little loud, and people said that during that song, glasses were shaking on the bar. I asked him &amp;#8220;So, how was it?&amp;#8221;. &amp;#8220;Spiritual&amp;#8221;, he said.
It took me about an hour to finally let this one &amp;#8220;burst out&amp;#8221;. I started playing the lick and the song took its own shape. Sometimes I feel like I don&amp;#8217;t have much to do with songwriting. I just make myself available. This one was a long time coming, but worth the wait. The mixing on this song took a long time, too. Tom Hall had many conversations and track file exchanges with his old friend Alan Yoshida, trying to get the bass guitar just right (Alan does Sir Paul&amp;#8217;s mastering, among others). It was even mixed a second time before the final master. I love the band &amp;#8220;feel&amp;#8221;&amp;#8230; the snare-like-a-cannon, the 12 string on the bridge, Ronnie&amp;#8217;s slide (nod to Tom P. for &amp;#8220;slide solo at the end&amp;#8221; idea), the grinding keys, the just-right bass&amp;#8230;everything, everything. At the end of the day, one of my favorites.
Besides, I had the inspiration. Like I&amp;#8217;ve said: Sometimes&amp;#8230;it takes a redhead. Amen.
Next time&amp;#8230;we let it rain and ride a dream.
Till then,
Don</description>
					<content:encoded><![CDATA[<p>Bob Dylan said &#8220;You can carry a song around for a long time and then it just comes burstin&#8217; out&#8221;. I carried this one around for almost 20 years. I had a concept of &#8220;Love Divine&#8221;, or, more specifically, &#8220;The Loved One Divine&#8221;, but I just couldn&#8217;t figure out how to get there in a four minute rock song. When I hung up the guitar a couple decades ago, I walked away from songwriting, too. A dozen or so years later, I was playing and writing with a much different attitude&#8230;I was LETTING it happen&#8230;and really enjoying it. Not thinking about the process too much. It was (and is) fun again.</p>
<p>And so, &#8220;Saved&#8221; was born&#8230;again. We had been playing it for a while before the Tank sessions. The first time Tom Pfaeffle heard the song live was in a little club. He was mixing and it was the closing tune. Tom always liked things a little loud, and people said that during that song, glasses were shaking on the bar. I asked him &#8220;So, how was it?&#8221;. &#8220;Spiritual&#8221;, he said.</p>
<p>It took me about an hour to finally let this one &#8220;burst out&#8221;. I started playing the lick and the song took its own shape. Sometimes I feel like I don&#8217;t have much to do with songwriting. I just make myself available. This one was a long time coming, but worth the wait. The mixing on this song took a long time, too. Tom Hall had many conversations and track file exchanges with his old friend Alan Yoshida, trying to get the bass guitar just right (Alan does Sir Paul&#8217;s mastering, among others). It was even mixed a second time before the final master. I love the band &#8220;feel&#8221;&#8230; the snare-like-a-cannon, the 12 string on the bridge, Ronnie&#8217;s slide (nod to Tom P. for &#8220;slide solo at the end&#8221; idea), the grinding keys, the just-right bass&#8230;everything, everything. At the end of the day, one of my favorites.</p>
<p>Besides, I had the inspiration. Like I&#8217;ve said: Sometimes&#8230;it takes a redhead. Amen.</p>
<p>Next time&#8230;we let it rain and ride a dream.</p>
<p>Till then,</p>
<p>Don</p>]]></content:encoded>
					<pubDate>Fri, 03 Jun 2011 07:52:21 GMT</pubDate>
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					<title>Is there something on my face?</title>
					<link>http://randommanor.com/blog.cfm?feature=2364373&amp;postid=977808</link>
					<description>Greetings! So&amp;#8230;there was always lots of sugar at The Tank. Bowls of it. There was even an M&amp;amp;M machine. And one day&amp;#8230;Guiness cupcakes. I had a Warren Zevon moment. Rick took a picture. Tom was ever focused at the board. I sat down next to him and said &amp;#8220;Is there something on my face?&amp;#8221;. He looked up at me, then back down at the board. &amp;#8220;No&amp;#8221; he said, and went back to work&amp;#8230;guess you had to be there&amp;#8230;
I&amp;#8217;m going to start a regular blog that will take you through the songs of our new record. I&amp;#8217;ll offer some insight to the writing, arranging and recording process. I look forward to sharing these stories. First out of the gate is &amp;#8220;Saved&amp;#8221;, where we will go down to that riverside&amp;#8230;to the righteous waters of love, where you can go, and be&amp;#8230;CHANGED!
Till then,
Don
</description>
					<content:encoded><![CDATA[<p>Greetings! So&#8230;there was always lots of sugar at The Tank. Bowls of it. There was even an M&amp;M machine. And one day&#8230;Guiness cupcakes. I had a Warren Zevon moment. Rick took a picture. Tom was ever focused at the board. I sat down next to him and said &#8220;Is there something on my face?&#8221;. He looked up at me, then back down at the board. &#8220;No&#8221; he said, and went back to work&#8230;guess you had to be there&#8230;</p>
<p>I&#8217;m going to start a regular blog that will take you through the songs of our new record. I&#8217;ll offer some insight to the writing, arranging and recording process. I look forward to sharing these stories. First out of the gate is &#8220;Saved&#8221;, where we will go down to that riverside&#8230;to the righteous waters of love, where you can go, and be&#8230;CHANGED!</p>
<p>Till then,</p>
<p>Don</p>
<p><img src="http://media.tumblr.com/tumblr_lldebu1hr71qh3u5i.jpg"/></p>]]></content:encoded>
					<pubDate>Wed, 18 May 2011 07:48:00 GMT</pubDate>
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					<title>Oh, Carol!
We are pleased to announce that Carol Tingstad has...</title>
					<link>http://randommanor.com/blog.cfm?feature=2364373&amp;postid=966387</link>
					<description>Oh, Carol!
We are pleased to announce that Carol Tingstad has graciously agreed to handle Random Manor&apos;s booking for the state of Washington. Next season we&apos;re hoping that will spread a little further to include the whole Northwest and West Coast. We&apos;ve known about Carol for some time, running into her a couple of years back when playing as a three-piece at Finaghty&apos;s Irish Pub on Snoqualmie Ridge, and again a couple of months ago while seeing our good friend (and former bandmate) guitar-slinger Paul Schille and bass-man pal Ray Neyens playing with Chance McKinney and Crosswire at the Triple Door in Seattle.We are thrilled at the opportunity to work with her, and are looking forward to playing wherever she sends us!</description>
					<content:encoded><![CDATA[<img src="http://24.media.tumblr.com/tumblr_ll3ajcL1A21qi91cco1_250.jpg"/><br/><br/><p><strong>Oh, Carol!</strong></p>
<p>We are pleased to announce that Carol Tingstad has graciously agreed to handle Random Manor?s booking for the state of Washington. Next season we?re hoping that will spread a little further to include the whole Northwest and West Coast. <br/><br/>We?ve known about Carol for some time, running into her a couple of years back when playing as a three-piece at Finaghty?s Irish Pub on Snoqualmie Ridge, and again a couple of months ago while seeing our good friend (and former bandmate) guitar-slinger Paul Schille and bass-man pal Ray Neyens playing with Chance McKinney and Crosswire at the Triple Door in Seattle.<br/><br/>We are thrilled at the opportunity to work with her, and are looking forward to playing wherever she sends us!</p>]]></content:encoded>
					<pubDate>Thu, 12 May 2011 20:47:00 GMT</pubDate>
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					<title>Woof.</title>
					<link>http://randommanor.com/blog.cfm?feature=2364373&amp;postid=941401</link>
					<description>Really? Over a year since our last post? Lame, lame, lame! It&amp;#8217;s not for lack of anything to write about. We have been working diligently on getting this record, Big Dog Run, done. Many, many nights of tracking and working up from the drum tracks we recorded at The Tank in July of 09 proved to be cathartic and quite the sonic adventure. Having the time and freedom to try out those &quot;what if&apos;s&quot; and &quot;how about this&apos;s&quot; brought a vast array of revamped parts and approaches, creating I think, a much better record than we may have had had we not handled it this way. Not like we had any choice in the matter, but there you go. So! The Big Dog is loose, running amongst the masses.
Big Dog Run is named after the title track, it being the only track recorded in its entirety at The Tank. One night after a long session, we were in the control room with Tom, listening to the days&apos; work, murdering a pint or two and just, well...kickin&apos; back. We felt good, and apparently still felt like playing, so Tom threw up the faders and out we went. What you hear on this track is what happened, the only overdub was the gang-land backing vocal track; all of us standing in a circle around a mic singing &quot;hey, hey, hey&quot; and &quot;watch that big dog run&quot;. If I remember right, Tom would hit the record button and then run out into the studio to sing with us...no one in the control room! It was fun. It was also Rick&apos;s very first recorded backup vocal track. That, my friends, is scarier than you may know.
So now, we wrap up the CD design, print up a couple million of these things, get all this web-stuff synched up, and it&apos;s giggin time. We&apos;ll keep you posted, I promise.</description>
					<content:encoded><![CDATA[<p><span>Really?</span><span> Over a year since our last post? Lame, lame, lame! It&#8217;s not for lack of anything to write about. We have been working diligently on getting this record, Big Dog Run, done. Many, many nights of tracking and working up from the drum tracks we recorded at The Tank in July of 09 proved to be cathartic and quite the sonic adventure. Having the time and freedom to try out those ?what if?s? and ?how about this?s? brought a vast array of revamped parts and approaches, creating I think, a much better record than we may have had had we not handled it this way. Not like we had any choice in the matter, but there you go. So! The Big Dog is loose, running amongst the masses.</span></p>
<p><span>Big Dog Run is named after the title track, it being the only track recorded in its entirety at The Tank. One night after a long session, we were in the control room with Tom, listening to the days? work, murdering a pint or two and just, well?kickin? back. We felt good, and apparently still felt like playing, so Tom threw up the faders and out we went. What you hear on this track is what happened, the only overdub was the gang-land backing vocal track; all of us standing in a circle around a mic singing ?hey, hey, hey? and ?watch that big dog run?. If I remember right, Tom would hit the record button and then run out into the studio to sing with us?no one in the control room! It was fun. It was also Rick?s very first recorded backup vocal track. That, my friends, is scarier than you may know.</span></p>
<p><span>So now, we wrap up the CD design, print up a couple million of these things, get all this web-stuff synched up, and it?s giggin time. We?ll keep you posted, I promise.<span></span></span></p>]]></content:encoded>
					<pubDate>Sat, 30 Apr 2011 04:46:00 GMT</pubDate>
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					<title>Signs in the rear view</title>
					<link>http://randommanor.com/blog.cfm?feature=2364373&amp;postid=939282</link>
					<description>The top is down. The tank is full. The road ahead is open, and wide.
&apos;09 was a beauty and it was a beast, and it&apos;s fadin&apos; fast. The loss of our dear friend Tom Pfaeffle runs deep, and its echoes will remain with us. His inspiration, guidance and love will, too. We&apos;re moving forward with Tom on board.
We wish all of you the best in the New Year and would like to thank you for your continued support.
There will be a new full length record this Spring which we are in the midst of recording at an undisclosed location (a stealth move to avoid the Black Helicopters and Paparazzi). We won&apos;t sleep &apos;til it&apos;s done. And when it is, we&apos;ll saddle up the road show for your enjoyment.
Until then, eyes straight ahead and hands on the wheel.
Don, Mark M, Rick, Mark B, and Ronnie</description>
					<content:encoded><![CDATA[<p>The top is down. The tank is full. The road ahead is open, and wide.</p>
<p>?09 was a beauty and it was a beast, and it?s fadin? fast. The loss of our dear friend Tom Pfaeffle runs deep, and its echoes will remain with us. His inspiration, guidance and love will, too. We?re moving forward with Tom on board.</p>
<p>We wish all of you the best in the New Year and would like to thank you for your continued support.</p>
<p>There will be a new full length record this Spring which we are in the midst of recording at an undisclosed location (a stealth move to avoid the Black Helicopters and Paparazzi). We won?t sleep ?til it?s done. And when it is, we?ll saddle up the road show for your enjoyment.</p>
<p>Until then, eyes straight ahead and hands on the wheel.</p>
<p>Don, Mark M, Rick, Mark B, and Ronnie</p>]]></content:encoded>
					<pubDate>Tue, 29 Dec 2009 14:00:00 GMT</pubDate>
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					<title>Tom Pfaeffle - Friday, July 17, 2009, Sun Mountain Lodge,...</title>
					<link>http://randommanor.com/blog.cfm?feature=2364373&amp;postid=939283</link>
					<description>Tom Pfaeffle - Friday, July 17, 2009, Sun Mountain Lodge, 8:22 pmGodspeed, Tom. Things are going to sound a lot better in Heaven.
TERRY&apos;S SONG &#xa9; Bruce Springsteen
Well they built the Titanic to be one of a kind, but many ships have ruled the seasThey built the Eiffel Tower to stand alone, but they could build another if they pleaseTaj Mahal, the pyramids of Egypt, are unique I supposeBut when they built you, brother, they broke the mold
Now the world is filled with many wonders under the passing sunAnd sometimes something comes along and you know it&apos;s for sure the only oneThe Mona Lisa, the David, the Sistine Chapel, Jesus, Mary, and JoeAnd when they built you, brother, they broke the mold
When they built you, brother, they turned dust into goldWhen they built you, brother, they broke the mold
They say you can&apos;t take it with you, but I think that they&apos;re wrong&apos;Cause all I know is I woke up this morning, and something big was goneGone into that dark ether where you&apos;re still young and hard and coldJust like when they built you, brother, they broke the moldNow your death is upon us and we&apos;ll return your ashes to the earthAnd I know you&apos;ll take comfort in knowing you&apos;ve been roundly blessed and cursedBut love is a power greater than death, just like the songs and stories toldAnd when she built you, brother, she broke the mold
That attitude&apos;s a power stronger than death, alive and burning her stone coldWhen they built you, brother
Love you, Brother.Don, Rick, Mark M., Ronnie &amp; Mark B.</description>
					<content:encoded><![CDATA[<img src="http://24.media.tumblr.com/tumblr_libdykDJ251qi91cco1_500.jpg"/><br/><br/><p><strong>Tom Pfaeffle</strong> - Friday, July 17, 2009, Sun Mountain Lodge, 8:22 pm<br/>Godspeed, Tom. Things are going to sound a lot better in Heaven.</p>
<p><strong>TERRY?S SONG </strong>© Bruce Springsteen</p>
<p>Well they built the Titanic to be one of a kind, <br/>but many ships have ruled the seas<br/>They built the Eiffel Tower to stand alone, <br/>but they could build another if they please<br/>Taj Mahal, the pyramids of Egypt, are unique I suppose<br/>But when they built you, brother, they broke the mold</p>
<p>Now the world is filled with many wonders under the passing sun<br/>And sometimes something comes along and you know it?s for sure the only one<br/>The Mona Lisa, the David, the Sistine Chapel, Jesus, Mary, and Joe<br/>And when they built you, brother, they broke the mold</p>
<p>When they built you, brother, they turned dust into gold<br/>When they built you, brother, they broke the mold</p>
<p>They say you can?t take it with you, but I think that they?re wrong<br/>?Cause all I know is I woke up this morning, and something big was gone<br/>Gone into that dark ether where you?re still young and hard and cold<br/>Just like when they built you, brother, they broke the mold<br/>Now your death is upon us and we?ll return your ashes to the earth<br/>And I know you?ll take comfort in knowing you?ve been roundly blessed and cursed<br/>But love is a power greater than death, just like the songs and stories told<br/>And when she built you, brother, she broke the mold</p>
<p>That attitude?s a power stronger than death, alive and burning her stone cold<br/>When they built you, brother</p>
<p>Love you, Brother.<br/>Don, Rick, Mark M., Ronnie & Mark B.</p>]]></content:encoded>
					<pubDate>Sun, 26 Jul 2009 12:00:00 GMT</pubDate>
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					<title>On A Dream Again</title>
					<link>http://randommanor.com/blog.cfm?feature=2364373&amp;postid=939284</link>
					<description>The Triple Door, Friday, June 5th
Back in October of &apos;03, Bass-man Mark and I went to see Shelby Lynne at one of the first shows ever at The T-Door. We were blown away by everything about the place, and of course, Ms Lynne. I was starting to think about playing music again and, sitting at our table, mentioned to Mark that I had just strung up my old guitar for the first time in a dozen or so years. He said something like &quot;I&apos;ve been waiting a long time for this...let&apos;s play!&quot;.  As I began to rediscover my joy of singing, songwriting and playing guitar, one thing led to another, and a couple years later, Rick B, Mark and I were back at it, like we never left. And before we know it, we&apos;re actually playing at The Triple Door. Funny how the wheels turn and time moves...
...So it was a fitting place to unveil the new lineup with not one, but two brothers Belaire. Ronnie B. made his debut in fine form with great slide guitar, mandolin and &quot;cherry on top&quot; harmony vocals. So good to have you aboard, Ronnie! Brother Mark kickin&apos; it on the keys again and soon to let loose his soulful harmonica in the mix. It was a packed house and the set went by all too quickly but from the first twang of Gone By The Wayside to the last crunch of Saved, the band was ON. It was so good that I started to get a little &quot;lost in the moment&quot; and when I tried to collect my thoughts, the only thing I could say over the mic was &quot;This is so cool&quot;. It wasn&apos;t hard to tell that we all felt the same way, and I know we can&apos;t wait to play there again!
We&apos;re heading back to The Tank to record the new record, which just might include a live track from The Triple Door!
Stay tuned and we&apos;ll see you all the next time.
Many Thanks,
Don</description>
					<content:encoded><![CDATA[<p>The Triple Door, Friday, June 5th</p>
<p>Back in October of ?03, Bass-man Mark and I went to see Shelby Lynne at one of the first shows ever at The T-Door. We were blown away by everything about the place, and of course, Ms Lynne. I was starting to think about playing music again and, sitting at our table, mentioned to Mark that I had just strung up my old guitar for the first time in a dozen or so years. He said something like ?I?ve been waiting a long time for this?let?s play!?.  As I began to rediscover my joy of singing, songwriting and playing guitar, one thing led to another, and a couple years later, Rick B, Mark and I were back at it, like we never left. And before we know it, we?re actually playing at The Triple Door. Funny how the wheels turn and time moves?</p>
<p>?So it was a fitting place to unveil the new lineup with not one, but two brothers Belaire. Ronnie B. made his debut in fine form with great slide guitar, mandolin and ?cherry on top? harmony vocals. So good to have you aboard, Ronnie! Brother Mark kickin? it on the keys again and soon to let loose his soulful harmonica in the mix. It was a packed house and the set went by all too quickly but from the first twang of Gone By The Wayside to the last crunch of Saved, the band was ON. It was so good that I started to get a little ?lost in the moment? and when I tried to collect my thoughts, the only thing I could say over the mic was ?This is so cool?. It wasn?t hard to tell that we all felt the same way, and I know we can?t wait to play there again!</p>
<p>We?re heading back to The Tank to record the new record, which just might include a live track from The Triple Door!</p>
<p>Stay tuned and we?ll see you all the next time.</p>
<p>Many Thanks,</p>
<p>Don</p>]]></content:encoded>
					<pubDate>Fri, 12 Jun 2009 12:00:00 GMT</pubDate>
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					<title>I couldn&apos;t actually see the sky</title>
					<link>http://randommanor.com/blog.cfm?feature=2364373&amp;postid=939285</link>
					<description>I was onstage inside the Showbox Market Friday evening, Febuary 6, but I&apos;d bet money that the stars were all in one big line.
Sometimes it happens like that. A nice big stage, great monitors and the time to tweak &apos;em, an exceptional sound engineer and an enthusiastic and appreciative crowd.
It had been a Long Way Back (pun intended) to the Showbox for a couple of us; Don and I had played there in the 80&apos;s. We, and the room have come a long way since then!
We took to that stage as a five-piece band. It was the first time we&apos;ve played that configuration since the Hellacious Heat of the Tom Petty gigs last summer at the Gorge. This particular time we unveiled our new keyboard player; the hard-working, positive-attitude-packing Mr. Mark Belaire. With only a few full-band rehearsals under his belt, Mark just plain nailed it...big ol&apos; Hammond organ sound, a whip-snappin&apos; whorehouse piano, and some damn fine backup singing; welcome aboard, Mark!
But he wasn&apos;t the only one. &quot;Melvado&quot; Mandville, our multitasking pedal steel/mandolin/guitar player, was in fine form as well, covering myriad parts on all them strings and workin&apos; his new look like America&apos;s Next Top Model. It&apos;s not just his name, folks; it&apos;s a lifestyle. Special thanks to Mel&apos;s lovely girlfriend Trisha for the &quot;Mansformation&quot;!
Now, I love playing as a three-piece; with Don and Mark it&apos;s lean and mean and we can easily turn on a dime if we want to. But when we get all five going, it&apos;s just a different beast...you can&apos;t beat it when we&apos;re all synched up, ripping along at full flight...not to mention that fullness that two additional players bring to the mix. The crowd joined in the joy and together we blew through the 45 minute set in the blink of an eye.
I think we opened some eyes that night. Seriously positive feedback from the crowd, the bands that shared the bill with us, hell...even the promoter! We&apos;ve already booked another date with him at the Showbox Sodo for March 27, and you can bet yer arse, all five of us will be there.
We hope you are, too!
Cheers,Rick</description>
					<content:encoded><![CDATA[<p>I was onstage inside the Showbox Market Friday evening, Febuary 6, but I?d bet money that the stars were all in one big line.</p>
<p>Sometimes it happens like that. A nice big stage, great monitors and the time to tweak ?em, an exceptional sound engineer and an enthusiastic and appreciative crowd.</p>
<p>It had been a Long Way Back (pun intended) to the Showbox for a couple of us; Don and I had played there in the 80?s. We, and the room have come a long way since then!</p>
<p>We took to that stage as a five-piece band. It was the first time we?ve played that configuration since the Hellacious Heat of the Tom Petty gigs last summer at the Gorge. This particular time we unveiled our new keyboard player; the hard-working, positive-attitude-packing Mr. Mark Belaire. With only a few full-band rehearsals under his belt, Mark just plain nailed it?big ol? Hammond organ sound, a whip-snappin? whorehouse piano, and some damn fine backup singing; welcome aboard, Mark!</p>
<p>But he wasn?t the only one. ?Melvado? Mandville, our multitasking pedal steel/mandolin/guitar player, was in fine form as well, covering myriad parts on all them strings and workin? his new look like America?s Next Top Model. It?s not just his name, folks; it?s a lifestyle. Special thanks to Mel?s lovely girlfriend Trisha for the ?Mansformation?!</p>
<p>Now, I love playing as a three-piece; with Don and Mark it?s lean and mean and we can easily turn on a dime if we want to. But when we get all five going, it?s just a different beast?you can?t beat it when we?re all synched up, ripping along at full flight?not to mention that fullness that two additional players bring to the mix. The crowd joined in the joy and together we blew through the 45 minute set in the blink of an eye.</p>
<p>I think we opened some eyes that night. Seriously positive feedback from the crowd, the bands that shared the bill with us, hell?even the promoter! We?ve already booked another date with him at the Showbox Sodo for March 27, and you can bet yer arse, all five of us will be there.</p>
<p>We hope you are, too!</p>
<p>Cheers,<br/>Rick</p>]]></content:encoded>
					<pubDate>Sat, 14 Feb 2009 14:00:00 GMT</pubDate>
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					<title>Go West!</title>
					<link>http://randommanor.com/blog.cfm?feature=2364373&amp;postid=939286</link>
					<description>Jan. 18th / The Skylark / West Seattle
Fun spot, great food and TATER TOTS! Someone (who shall remain nameless) said they were just Mexi-Fries. Blasphemy, I say!
We enjoyed sharing the evening with Sourmash Stevedores (J.D.&apos;s entire fan-tee-clad family lent their enthusiasm) and Joel Tipke, who thanked all of his neighbors for coming out, then announced the rule that their presence required them to like his performance.
Thanks to all who came from near and far; especially the bunch from Everett, who had seen the band at the Gorge last summer. We had a great set (it&apos;s always over too soon) and look forward to our next opportunity to light it up at The Skylark. Meanwhile, light your rocket for these upcoming Random Meanderings:
Feb. 2nd: Youngstown PAC, W. Seattle - 7:00 (Live rehearsal/Free!/All ages!/Free parking!)
Feb. 6th: Showbox Market, Seattle - 8:00 (Come early!)
Feb. 14th: Finaghty&apos;s Irish Pub in Snoqualmie with the joyous lads in Funk Mason  9:00 (where better to spend Valentine&apos;s Day than an Irish pub?)</description>
					<content:encoded><![CDATA[<p>Jan. 18th / The Skylark / West Seattle</p>
<p>Fun spot, great food and <strong>TATER TOTS!</strong> Someone (who shall remain nameless) said they were just Mexi-Fries. Blasphemy, I say!</p>
<p>We enjoyed sharing the evening with Sourmash Stevedores (J.D.?s entire fan-tee-clad family lent their enthusiasm) and Joel Tipke, who thanked all of his neighbors for coming out, then announced the rule that their presence required them to like his performance.</p>
<p>Thanks to all who came from near and far; especially the bunch from Everett, who had seen the band at the Gorge last summer. We had a great set (it?s always over too soon) and look forward to our next opportunity to light it up at The Skylark. Meanwhile, light your rocket for these upcoming Random Meanderings:</p>
<p>Feb. 2nd: Youngstown PAC, W. Seattle - 7:00 (Live rehearsal/Free!/All ages!/Free parking!)</p>
<p>Feb. 6th: Showbox Market, Seattle - 8:00 (Come early!)</p>
<p>Feb. 14th: Finaghty?s Irish Pub in Snoqualmie with the joyous lads in Funk Mason ? 9:00 (where better to spend Valentine?s Day than an Irish pub?)</p>]]></content:encoded>
					<pubDate>Tue, 27 Jan 2009 14:00:00 GMT</pubDate>
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